Tom
An Old Friend
- Borrowing Fiction Techniques for Nonfiction
by Richard Goodman - What Short Story Writers Can Learn from Novelists, And Vice Versa
by Susan Breen - The Top Eleven Ways Not to Write Your Book
by Leigh Michaels - Getting the Most Out of Feedback
by Brandi Reissenweber - Point of View and Tense: The Right Combination
by Dominic Preziosi - Learning From Rejection
by Brandi Reissenweber - Anatomy of a Flashback
by Peter Selgin - Authenticating Details
by Dave Koch - Stretching and Shrinking Time
by Karen Propp - Character Filters
by Brandi Reissenweber - Reasons to Describe
by Peter Selgin - A Writer's Friends
by Laura Yeager - On Love And Sex
by Leigh Michaels - What is Theme?
by Terry Bain - Setting In Memoir
by Karen Ulrich - Dialogue Pitfalls
by Brandi Reissenweber - The Big Idea For Your Movie
by Alexander Steele - Learning to Wait
by Laura Yeager - The Timeframe
by Dominic Preziosi - Making the Most of Your Journal
by Brandi Reissenweber - The Opening Paragraph
by Susan Breen - The Pace of Time
by Daniel Gleason - What Is A McGuffin?
by Michael Kurland - Description Through Observation
by Adam Sexton - How to End
by Michael Backus - The Craft of A Plan
by Brandi Reissenweber - Finding Your Title
by Brandi Reissenweber - How to End
by Peter Markus - Stop Using the First Person!
by Alexander Steele - Writing 'Marketable' Movies
by Max Adams - The Art of the Start
by Brandi Reissenweber