.....And what of the meat—er, human cast? Having already tangled with a big croc in the 1987 Aussie thriller DARK AGE, local actor John Jarratt (CREEK’s sadistic Mick Taylor) is back in front of the camera for McLean, who says that he had to do little convincing to also attract co-stars Michael (ALIAS) Vartan and Radha (SILENT HILL) Mitchell to a “giant crocodile movie”. After all, they would be following in the steps of fellow Hollywood thespians Bill Pullman and Bridget Fonda (LAKE PLACID) and, even farther back, Robert (ALLIGATOR) Forster. Not to mention that, according to McLean, “Vartan and Mitchell had seen WOLF CREEK and really loved the performances and the style of the film, even though it‘s ostensibly a slasher movie. I guess they just really loved the characters and what they go through. But yes, it’s kind of funny when you think about it. A ‘big croc movie’ just sounds weird, and we’ve had plenty of laughs about this.”
For Mitchell, ROGUE should be a cakewalk. She established herself as a rough-and-tumble heroine able to hold her own against both monsters and Vin Diesel in PITCH BLACK, and followed up by starring in another Australia-lensed genre item, the high-seas chiller VISITORS. “Radha is from Melbourne, so we kind of have that in common,” McLean says. “She’s an amazing actor, and will bring so much to this film and her role in particular. Vartan is so freaking cool. We spoke on the phone after he saw WOLF CREEK, and he was so excited about the performance style and the realism, and wanted to be part of something like that. He’s been adapting [the role] to his personality, and it’s really good as a writer when the actors take what you’ve started with and bring as much truth to it as possible. That’s where things start to get really exciting.”
Ol’ Mother Nature is adding her own particular thrill factor and contributing a bit of Method to the male lead’s performance. “Vartan is really scared of the Outback,” McLean says. “We were in the water shooting and the cameraman—who was up to his butt in water, as was Michael—got bitten by some large slithering thing, and we all freaked out. Especially when he screamed, ‘Snake!’ It turned out there was a family of huge eels who’d moved into the boat and would not leave us alone. So Vartan had to climb in there with a flashlight and imagine a huge croc out there somewhere. It wasn’t hard to be scared after that. There’s a lot to be frightened of out here—particularly real crocodiles, one of which followed our boat during a location scout. It was a total JAWS moment; I turned to my director of photography and said, ‘We’re gonna need a bigger boat.’ ”
He may also be hoping for a bigger gross, at least in the U.S., than greeted WOLF CREEK, which Dimension opened in the thick of a crowded Christmas season and has grossed a modest $16 million. CREEK received widely divided response from both fans and critics, but McLean—by now accustomed to this reaction due to the film’s lengthy festival career—says this was to be expected. And he views Dimension’s handling of his freshman effort, and its American reception, with high spirits. “I’m pretty happy with it,” he says, “as ultimately they took a film that cost us about $800,000 [U.S.] to produce and turned it into a film that’s grossed about 20 times that in the States so far. From anyone’s perspective, that’s gotta be pretty cool.”.....