Galacticfish
Cadet
by Mike Fisher
The Book Bag was my internet provider and Starlog magazine was my sci-fi web site decades before the all-knowing internet became a fixture in all our lives.
You needed to know how to make an amaretto cheesecake? Or which dog breed is the dumbest? Or when the next sci-fi movie is coming out? Then you went to the large and wonderful magazine section in my neighborhood book store, The Book Bag, where you could find a magazine devoted to just about any subject.
At least that was the reality during the mid-70s in North Charleston, South Carolina. As a full-blooded sci-fi geek boy, I constantly sought news about sci-fi, horror or fantasy movie and TV productions. The local newspaper rarely published this sort of news. But the Book Bag sold Starlog Magazine every month!
I still remember seeing the first issue on the stands in 1976. I was completely fascinated by this magazine. A publication that covers the exact subjects that I lusted after? Amazing! But I did not buy that issue. It was the last on the stands and the cover was ripped. Wanting all my purchases in "mint condition," I declined this issue, much to my later regret! But after that foolish decision, I became a regular purchaser of the mag, which was my "sci-fi internet connection" of the day.
I continued to purchase Starlog through my high school and college years. Nowhere else could one find detailed articles such as the one about the "Lost in Space" robot, which even described the robot's appearances in shows AFTER Lost in Space (issue 57). Or the one showcasing color photos from the exceedingly weird sci-fi movie, "Saturn 3," which starred Kirk Douglas, Farrah Fawcett and Harvey Keitel (issue 36)! And Starlog regularly featured sci-fi cartoons, too!
After college in 1983, I started creating cartoons for publications such as Comics Buyer's Guide (thanks to editors Don and Maggie Thompson agreeing to publish my work!) Eventually, I submitted 'toons to Starlog and editor David McDonnell agreed to print a few!
My first Starlog cartoon appeared in issue #112 (Nov. 1986), Starlog's special Star Trek 20th anniversary issue! This issue contains interviews with Star Trek creator Gene Roddenberry, Star Trek writer D.C Fontana, stars William Shatner, Leonard Nimoy and many others who contributed to Star Trek's success. The issue contains pictures from Star Trek conventions, mysterious, exciting events I had only heard about, but never attended! There is an article evaluating the best Star Trek novels. There is even a photo of a woman in a bikini on a motorcycle built to look like the starship Enterprise! Non-Trek features included an interview with the brilliant fantasy artist Moebius and an article about "costume fandom," which wasn't even called cosplay then. There is a small item announcing that Timothy Dalton would be playing James Bond in the next film in that franchise. All that and my cartoon, too! I was thrilled that my work now appeared in the publication I loved so much as a kid!
While working as a newspaper graphic artist, I continued to send cartoons to Starlog through snail mail and they continued to print them. At some point, editor McDonnell wrote to tell me that they did have room to print a few color cartoons, so I began using Dr. Martin's dyes in the creation of color cartoons.
The years rolled by and Starlog continued to be the "sci-fi internet" of the day… sharing news with its readers about current and soon-to-be-released movies such as Robocop, Predator, the Back to the Future movies, the Star Trek films, The Abyss, Gattaca, The Fifth Element, Stargate, Starship Troopers and so many more. Starlog's parent company also produced other magazines that targeted specific genre productions, such as Star Wars. Where else were you going to find blueprints of the Death Star, other than Starlog publications' "Star Wars Technical Journal"? Nowhere, because the internet didn't exist — at least not in the way it does today.
The thrill of seeing my work in the publication never wore off. I experimented with drawing the cartoons completely on a computer using Aldus Freehand, but when I realized that this method does not leave me with original art on paper, only pixels on a screen, I went back to creating the 'toons with ink and paper. I used the computer only to color the black-and-white originals. That way I still had art originals, but could take advantage of the computer's capabilities in the coloring process.
Many thanks to editor McDonnell, who agreed to print my cartoons. For a while, I even created a monthly feature for the magazine that examined a different movie monster every month, with monster stats and a new computer-drawn illustration. That feature was called "A Creature Profile." In one issue, #254, McDonnell published a full-page color information graphic of mine that explained how Stanley Kubrick constructed a giant wheel to make the fabulous "astronaut jogging inside the space station" shot from "2001: A Space Odyssey" (1968).
As the internet became more of a factor in all our lives in the early 2000s, it more-efficiently assumed the role that Starlog once played. It could immediately deliver sci-fi and fantasy news to eager geeks in deep detail, 24 hours a day, 7 days a week at no cost. (Well, once you paid for a computer!). Starlog's days were numbered.
Issue 374 was the last issue, published in April, 2009. The issue features, among other things, several articles about the new movie, "Watchmen" (2009). I was sad to see the legendary publication - can we call it that?- go! I feel fortunate that one cartoon of mine appeared in that final issue.
I learned so much creating that work for Starlog, honored to be a member of a stable of cartoonists including talented Tom Holtkamp and Bob Muleady. In many ways, my current illustration work could be described as elaborate Starlog cartoons! Yes, those were good years!
Starlog, thanks for being the internet before the internet!
Mike Fisher Instagram: galacticfishproductions
Etsy: Galacticfish61
The Book Bag was my internet provider and Starlog magazine was my sci-fi web site decades before the all-knowing internet became a fixture in all our lives.
You needed to know how to make an amaretto cheesecake? Or which dog breed is the dumbest? Or when the next sci-fi movie is coming out? Then you went to the large and wonderful magazine section in my neighborhood book store, The Book Bag, where you could find a magazine devoted to just about any subject.
At least that was the reality during the mid-70s in North Charleston, South Carolina. As a full-blooded sci-fi geek boy, I constantly sought news about sci-fi, horror or fantasy movie and TV productions. The local newspaper rarely published this sort of news. But the Book Bag sold Starlog Magazine every month!
I still remember seeing the first issue on the stands in 1976. I was completely fascinated by this magazine. A publication that covers the exact subjects that I lusted after? Amazing! But I did not buy that issue. It was the last on the stands and the cover was ripped. Wanting all my purchases in "mint condition," I declined this issue, much to my later regret! But after that foolish decision, I became a regular purchaser of the mag, which was my "sci-fi internet connection" of the day.
I continued to purchase Starlog through my high school and college years. Nowhere else could one find detailed articles such as the one about the "Lost in Space" robot, which even described the robot's appearances in shows AFTER Lost in Space (issue 57). Or the one showcasing color photos from the exceedingly weird sci-fi movie, "Saturn 3," which starred Kirk Douglas, Farrah Fawcett and Harvey Keitel (issue 36)! And Starlog regularly featured sci-fi cartoons, too!
After college in 1983, I started creating cartoons for publications such as Comics Buyer's Guide (thanks to editors Don and Maggie Thompson agreeing to publish my work!) Eventually, I submitted 'toons to Starlog and editor David McDonnell agreed to print a few!
My first Starlog cartoon appeared in issue #112 (Nov. 1986), Starlog's special Star Trek 20th anniversary issue! This issue contains interviews with Star Trek creator Gene Roddenberry, Star Trek writer D.C Fontana, stars William Shatner, Leonard Nimoy and many others who contributed to Star Trek's success. The issue contains pictures from Star Trek conventions, mysterious, exciting events I had only heard about, but never attended! There is an article evaluating the best Star Trek novels. There is even a photo of a woman in a bikini on a motorcycle built to look like the starship Enterprise! Non-Trek features included an interview with the brilliant fantasy artist Moebius and an article about "costume fandom," which wasn't even called cosplay then. There is a small item announcing that Timothy Dalton would be playing James Bond in the next film in that franchise. All that and my cartoon, too! I was thrilled that my work now appeared in the publication I loved so much as a kid!
While working as a newspaper graphic artist, I continued to send cartoons to Starlog through snail mail and they continued to print them. At some point, editor McDonnell wrote to tell me that they did have room to print a few color cartoons, so I began using Dr. Martin's dyes in the creation of color cartoons.
The years rolled by and Starlog continued to be the "sci-fi internet" of the day… sharing news with its readers about current and soon-to-be-released movies such as Robocop, Predator, the Back to the Future movies, the Star Trek films, The Abyss, Gattaca, The Fifth Element, Stargate, Starship Troopers and so many more. Starlog's parent company also produced other magazines that targeted specific genre productions, such as Star Wars. Where else were you going to find blueprints of the Death Star, other than Starlog publications' "Star Wars Technical Journal"? Nowhere, because the internet didn't exist — at least not in the way it does today.
The thrill of seeing my work in the publication never wore off. I experimented with drawing the cartoons completely on a computer using Aldus Freehand, but when I realized that this method does not leave me with original art on paper, only pixels on a screen, I went back to creating the 'toons with ink and paper. I used the computer only to color the black-and-white originals. That way I still had art originals, but could take advantage of the computer's capabilities in the coloring process.
Many thanks to editor McDonnell, who agreed to print my cartoons. For a while, I even created a monthly feature for the magazine that examined a different movie monster every month, with monster stats and a new computer-drawn illustration. That feature was called "A Creature Profile." In one issue, #254, McDonnell published a full-page color information graphic of mine that explained how Stanley Kubrick constructed a giant wheel to make the fabulous "astronaut jogging inside the space station" shot from "2001: A Space Odyssey" (1968).
As the internet became more of a factor in all our lives in the early 2000s, it more-efficiently assumed the role that Starlog once played. It could immediately deliver sci-fi and fantasy news to eager geeks in deep detail, 24 hours a day, 7 days a week at no cost. (Well, once you paid for a computer!). Starlog's days were numbered.
Issue 374 was the last issue, published in April, 2009. The issue features, among other things, several articles about the new movie, "Watchmen" (2009). I was sad to see the legendary publication - can we call it that?- go! I feel fortunate that one cartoon of mine appeared in that final issue.
I learned so much creating that work for Starlog, honored to be a member of a stable of cartoonists including talented Tom Holtkamp and Bob Muleady. In many ways, my current illustration work could be described as elaborate Starlog cartoons! Yes, those were good years!
Starlog, thanks for being the internet before the internet!
Mike Fisher Instagram: galacticfishproductions
Etsy: Galacticfish61
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10 Calmdownazene issue 374.jpg125 KB · Views: 427
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6 Worf Klingon issue 175.jpg189.4 KB · Views: 144
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5 Darth Horny issue 224.jpg125.5 KB · Views: 136
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