"Lord of the Rings" is for boys ...
A New York Times critic falls for lazy gender-typing.
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By Stephanie Zacharek
Dec. 22, 2003 |
In the latest entry in the "blue is for boys, pink is for girls" school of criticism, Caryn James, in a New York Times Arts & Leisure piece on Sunday, argues that the "Lord of the Rings" trilogy -- up to and including the final installment, "The Return of the King" -- is a big snooze for those of us not blessed with a Y chromosome. James says she yawned through most of the first two movies, as well as the third: "The final entry in the 'Lord of the Rings' trilogy reveals once more that what the chick flick is to men, this trilogy is to women -- or at least to a large secret society of us for whom the series is no more than a geek-fest, a technologically impressive but soulless endurance contest."
What's interesting about James' piece isn't that she dislikes Peter Jackson's "Lord of the Rings" movies, which is any critic's prerogative. She thinks they're too rarely infused with human feeling. (She notes that she prefers the Jackson of "Heavenly Creatures," a nicely observed movie about two teenage girls who commit a murder.)
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Director Jackson revels in 'Rings'
By Larry Ratliff
Special to the Express-News
Web Posted : 12/17/2003 12:00 AM
HOLLYWOOD — Peter Jackson, director of the monumental "Lord of the Rings" trilogy, walks into the room with shoes on, a rare sight indeed.
The freethinking New Zealander thought he was doing TV interviews instead of print on this recent day in L.A., thus the shoes. It may be Jackson's only miscue in the amazing feat of filming three epic films simultaneously and then rolling them out to great fan acceptance and general critical acclaim a year at a time since 2001.
"The Lord of the Rings: The Return of the King," which debuts on 27 San Antonio screens today, is the final and most ambitious of the three.
Looking back at the experience, Jackson, perhaps the most personable filmmaker working today, said there's no way the project would ever have gone forward if he and the film company, New Line, knew what they were in for at the beginning.
"I think it would have never happened," he said. "I think it's a fortunate set of circumstances that got us into it. And then it was a case of it taking on a life of its own as we were making it."
No one realized when the director best known for 1994's "Heavenly Creatures" talked his way into a J.R.R. Tolkien trifecta that it would morph into such a massive affair.
"It would have never been made if we knew how tough it was," Jackson said. "We would have been overwhelmed by the logistical nightmare we were about to go into. New Line would have been overwhelmed by the ultimate cost of it.
"Even though now what they finally spent on it (about $400 million) looks fine, it was a lot more than they thought it was going to cost at the beginning, about a hundred million dollars more."
He can admit it now. The fate of the second two films depended on the outcome of the first.
Jackson had mixed emotions even when "The Lord of the Rings: The Fellowship of the Ring" took off in late 2001, during the emotional fallout from 9-11. The first installment of the trilogy made $313 million domestically, taking a seat just above "The Lion King" as the No. 11 grossing film of all time.
Getting sufficient funding to tweak the second two would be easy after that, right?
Not necessarily.
Jackson, 42, said New Line could have just taken the money and ran, leaving "The Two Towers" and "The Return of the King" to die on the vine.
"They could pull right back and say, 'The first film's successful. We just want to put the next two out at the cheapest possible cost because we know we've got the audience now.'"
To Jackson's relief, the company went the opposite direction.
"Since the release of the first film, they've been very supportive. They gave us more money to do more shooting for 'Two Towers' and 'Return of the King,'" he said. "'The Return of the King' was supposed to have 375 effect shots back around 1998. We ended up with 1,500 effect shots.
"They let me do what I wanted to do on 'Return of the King,' which I appreciate enormously. It's possibly the greatest, unrestrained kind of freedom I'll ever have as a filmmaker."
"The Fellowship of the Ring" earned 13 Academy Award nominations, including best picture and a best director nod for Jackson. It took home four golden statuettes, but director Ron Howard and his "A Beautiful Mind" took the top honors.
"Chicago" beat out "The Two Towers" earlier this year. Jackson was conspicuously absent among the director nominees.
Elijah Wood, who plays lead hobbit Frodo in the trilogy, hopes Academy voters will honor Jackson in the upcoming race in February.
"I just think that after all that he's accomplished with these movies over the past seven or eight years of his life, for him not to be acknowledged at least for one, which I think in essence would be acknowledging all three, would be a shame. It has never been done before," Wood said.
Jackson, who's gearing up for a new take on "King Kong," said he's going to just sit back and see what happens at Oscar time. On the other hand, as someone who has wanted to make movies since he was 7 and considers himself a movie fan, he doesn't hide his desire to be honored by his peers.
"I can't lie and say I wouldn't (want to win). I'm also aware that this year might be the closest that I'll get to it," he said. "At the same time, you can't emotionally invest in them. It's not the reason that you make films.
"You make films wanting to entertain people, wanting people to enjoy your movie and, ultimately, you make them for yourself."